Thursday, January 18, 2018

About the Music: Poulenc (2 pieces TTBB), Terminus, Mr. Toad's Song

Hello everyone,
Our ongoing survey of Winter and Spring quarter repertoire continues!
First up: "Seigneur" and "Tout puissant" (4 Prayers of St. Francis of Asissi, set by Francis Poulenc - Chamber T/B)

About the music and the text:
https://en.wikipedia.org/wiki/Quatre_petites_pri%C3%A8res_de_saint_Fran%C3%A7ois_d%27Assise
About Francis Poulenc:
Translations of all four poems:

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"Terminus" - text by R.W. Emerson, music by Nancy Hill Cobb
You may know Emerson's famous essay on "Self-Reliance" - if you don't know it, DROP EVERYTHING FOLLOW THIS LINK AND READ IT RIGHT NOW! Forget the self-help aisle - go to the source, get the real deal - FREE :-)

Emerson, "Self-Reliance":
 https://archive.vcu.edu/english/engweb/transcendentalism/authors/emerson/essays/selfreliance.html
About Ralph Waldo Emerson:

Emerson is meme'd a lot - why not dip into his essays and read some of his wonderful poetry - find out what he /actually said/...!!!

Text of "Terminus" - Nancy Hill Cobb set only a portion of it - here is the entire poem: https://www.poetryfoundation.org/poems/52349/terminus
Here is a VERY interesting analysis of the poem, with some revealing contextual information! - http://worldlitshah1emerson.weebly.com/emersons-poetry.html
About Nancy Hill Cobb, the composer: http://sbmp.com/ComposerPage.php?ComposerNum=177

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"Mr. Toad's Song" - text from "The Wind in the Willows" by Kenneth Grahame; setting by Lee Peterson

Y'all, TWITW is one of my favorite books of all time. I re-read it at least half a dozen times each year. It is a magical masterpiece! If you don't know it - hie you to Half Price Books and buy a copy /right now/.
Now - read the notes on your musical score for the background and text of this piece. And, think about Mr. Toad - he turns up in the most interesting places! He's practically an archetype. I'll leave it at that :-) :-)
About Mr. Grahame and the book:
What inspired Mr. Grahame to write this wonderful book? - 
If you prefer to read the book online, it's right here at Project Gutenberg, free for the asking! - http://www.gutenberg.org/ebooks/27805

A note about my setting: I love strutting, pompous, verbose, self-centered, manic but essentially good-natured Toady.
I was musically influenced by the magnificent Cab Calloway!
Get into the mood with these clips - -
Here's "Minnie the Moocher":

And a famous CC upbeat tune, "Jumpin' Jive"

Have fun with Mr. Toad - and yes, there is a video of me doing THE MOTIONS.
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In musical solidarity,
Lee



Wednesday, January 17, 2018

For Cantemus: More info about Gospel Music! More about Precious Lord including T A Dorsey talking about it.

Here's follow-up to the gospel info passed on in today's Cantemus section  Wed Jan 17

Here's a good article about the genre, for starters
My arrangement of PLTMH is more "Southern" gospel style - I touched on this in Cantemus today - here's musicological information!

Here's a paragraph from the Southern gospel music article:

Several secular artists have expressed their love for and influence of the genre by recording southern gospel albums or performing gospel songs in concert. Among them are Johnny CashPatsy ClineDailey & VincentCharlie DanielsBob DylanLarry GatlinRoscoe HolcombAlan JacksonKentucky ThunderJerry Lee LewisLoretta LynnThe Louvin BrothersReba McentireWillie NelsonThe Oak Ridge BoysBrad PaisleyDolly PartonCarl PerkinsElvis PresleyLeann RimesRicky SkaggsThe Statler BrothersMarty StuartRandy TravisCarrie Underwood, and Hank Williams.

There's enough info above to keep you very, very busy at YouTube!!! Try taking one gospel song and listening to different renditions. "Precious Lord, Take My Hand" - for example...!

Mahalia Jackson - "Precious Lord" - long-meter style

Aretha Jackson - very long meter version.



EVERYBODY YOU MUST LISTEN TO THIS CLIP!!!! - it is Thomas A. Dorsey speaking about his song, "Precious Lord Take my Hand."







About the music: I Have Had Singing, Agnus Dei, Thank You for the Music, Total Praise

Hello everyone!
Here are some links to reference text, context and composers:

"I Have Had Singing" TTBB - setting by Ron Jeffers
Ron Jeffers 1943 – 2017 wasone of the founders of Earthsongs publishing company.
Wrote I H H S as a gift to choirs. The sheet music is available free over internet, not for sale anywhere!


Fascinating book which references the text: lotta garble but I think you can extract the pertinent information - Begin at p114 “Singing at work and the dialectic of grounded happiness”

Here's a review of the book where the text was first published

And, if you're in a hurry - here's a bit of info about the text, taken from program notes here  http://stevensametz.com/composer/works/info/i-have-had-singing/

 I Have Had Singing paraphrases lines taken from Ronald Blythe’s Akenfield, Portrait of an English Village.  In the 1960’s, Blythe traveled to the north of England interviewing farmers, plowmen, blacksmiths — people whose stories dated back to the early 20th century.  One subject, given the name Fred Mitchell in the book, was an 80-year old horseman who told his story of working a bleak, unfertile land in a life filled with little joy. In the midst of his story, he stopped and said, “But there was always singing; the boys in the field, the chapels were full of singing. I have had pleasure enough; I have had singing.” 


Thank you for the music
About ABBA 

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Here is a wonderful article about Richard Smallwood that references “Total Praise”

Agnus Dei text and musics
In the liturgy
Music:
LISTEN TO SOME OF THE PIECES REFERENCED IN THIS ARTICLE!!!

About Franz Schubert
BUT 
https://en.wikipedia.org/wiki/Franz_Schubert is much, much, much better. It is a super long article but I recommend this one if you really want to ‘get to know’ Mr. Schubert.

Franz (was) moved around a bit after he died
About the Zentralfriedhof – AMAZING PLACE. I have been there. I cannot tell you how awe-struck I was, to actually touch BEETHOVEN'S GRAVE. Somehow, despite years upon years of loving labor on various compositions, he truly became a Real Person (TM) to me when I went to the cemetery. He's near Schubert and Brahms (who has a most interesting gravestone indeed - one that I'm sure would have greatly amused him!)

Thursday, January 11, 2018

About the music: Hear My Prayer, O Lord / Stabat Mater

Hear my prayer, O Lord

About Purcell's setting:

Source text:

 About Henry Purcell:
http://www.52composers.com/purcell.html  shorter and not as dry as Wikipedia article
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Pergolesi - "Stabat mater"

About the composer:
biographical info with pictures – not as ‘dry’ as the Wikipedia article!

About the text:

About Pergolesi's setting, specifically - interesting!:

Background of Pergolesi’s “Stabat mater”

Wednesday, January 10, 2018

About The Music: "Precious Lord," "Grace," "None Other Lamb:

About "Precious Lord, Take My Hand" - the story
originally known as "Take My Hand, Precious Lord"

SO MANY PEOPLE HAVE RECORDED THIS SONG!
Go to YouTube and type "Precious Lord Take My Hand" into the search bar -
!! - Use the "Performances" section in that Wikipedia article as the go-to list.


About Thomas A. Dorsey:

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Bella Voce's "Grace" is a setting of "Amazing Grace" - read the entire article for information about the text and about John Newton - a truly moving and inspiring story!

The tune that most of us know ("Amazing Grace") is /major pentatonic/ - exactly like the tune for "How Can I Keep From Singing"
The tune that Mr. Mark Hayes set is /somewhat/ ! pentatonic

Mark Hayes' website: 

Biographical information - he's a pianist - I KNEW IT!!!!

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"None Other Lamb" - text by Christina Rossetti (Yes, "In the Bleak Midwinter" Rossetti!!)
About Christina Rossetti:

About Craig Courtney ("How Great Our Joy" - Cantemus folk will already know him!)

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Monday, January 8, 2018

Welcome Back! - January 8, 2018

Hello everyone:
Here are some references for the new music we did today (1/8/18):

Abendlied" by Josef Rheinberger (1839-1901)

The story behind the text:

About the piece, specifically:

 About Josef Rheinberger:

Putting this all in context: History/politics, etc. – by year – scroll down to 1839 and follow along, ending in 1901


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"Come and find the quiet center"

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“Laudate omnes gentes”
About the text:
This is a Taize chant. What is Taize, you ask? –


“Breathe on Me”
About the composer, Cora L. Jackson – she will be working with us on February 6 in noon Chorale section!

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Thursday, October 19, 2017

THE CHOIR POSSE RIDES OUT TOMORROW NIGHT!!

Yes, Family Weekend Concerts - Friday October 20th!
Followed by Kickoff Dinner - Friday November 3rd!

Where HAS Fall Quarter gone?!!! 

Our recent spate of cold (and, today - excessively rainy and windy) weather inspires me to say a few words here about self-care.

Between now and concert night, it's important to give your body a break if at all possible.
You need sufficient sleep, sufficient food, plenty of water, and a calm and alert mind.

SUFFICIENT SLEEP. 
This varies according to each person's physiology and temperament - HOWEVER, "authorities" seem to agree that even allowing for variations in physiology, temperament, and activity/stress level, there is a baseline - a minimum number of restful hours necessary for good mental and physical functioning.
Do you know what your "Number" is?
If you don't, I highly recommend that you perform experiments until you are able to find your baseline.
I'm not talking about "lying down with eyes closed but mind racing at warp speed." I'm talking about uninterrupted hours of good, healing, restorative REM sleep. (Look it up) 

Musical performance requires total alertness - tightrope alertness. Ensemble performance introduces the added requirement of SIMULTANEOUS PRECISION. Our reflexes need to be as tuneful as our instruments. 

FOOD.
Please eat as well as you possibly can on Thursday AND Friday. Avoid things that "linger" on the way down (dairy products, for example). Eat a light meal right before coming to the pre-concert rehearsal. Top this off with a light, protein-rich nosh at 6.30 and another nosh at 8.00 (A single protein bar broken in half will do nicely). Be sure that you have eaten enough complex cars to keep your blood sugar levels stable.

WATER.
Drink drink drink drink drink drink water water water! Hot water! Cool water! Tepid water! Water with citrus squeezes! Herbal teas! Stay away from the coffee (which can crash the blood sugars and dry out the inside of the mouth). STAY AWAY FROM ALCOHOL!! 

CALM ALERTNESS.
The breathing exercises that we do in rehearsals aren't just for rehearsals. Practie deep even enagaged breathing throughout the day, every day. Your singing apparatus is also your speaking apparatus. Energize your speech with the same core energy, focus, support and resonance as your singing.
Give yourself a short and restful walk before the concert on Friday. How many of us walk simply to be walking? We always seem to be rushing off towards an intended destination. Try walking simply for the pleasure of walking- of engaging your breath and body core in perfect coordination, of feeling yourself move through space with centered calm and grace. 

COMMUNITY BUILDING.
When you greet each other, really look into each other's eyes. Send each other thoughts of acceptance, positive emotion, encouragement, and support. We are all in this together! 

NUTS AND BOLTS.
1. Attire: Your choir T-shirt over black pants. Do not wear black jeans. Do not wear black leggings.
2. Shoes: Black shoes with quiet heels. Don't clack.
3. Hair: Pulled back and fastened, away from the face.
4. Jewelry: Discreet earrings are okay. Pendants and bling are NOT okay. 
5. Scent: Shower up and use deodorant. If you're in doubt, ask someone for olfactory feedback.
6. Scent 2: Please DO NOT WEAR ANY STRONGLY SCENTED PRODUCTS. It would be best if you were determinedly scent-free. Remember that your riser-mates may be living with sensitivities. 
7. Stuff: We'll be able to lock purses, etc. in the sacristy before the concerts. It would be best if you come with as little "stuff" as possible. The sacristy is small and we are many :-)
8. Smoking: Do not smoke while wearing your concert outfit. 
9. Talking: Consider yourself on Vocal Rest just before and between concerts. You /will/ be very excited and enthusiastic about the performances. Please channel this excitement and enthusiasm into the actual performances - don't dissipate this vital energy through excessive and/or loud talking.  Remember: energy flows where attention goes!

I look forward to our first roll-out on Friday! You have all done an immense amount of work in a short time and you have every right to be proud of your accomplishments. You're serious choral singers now! Look the part - act the part - make this a wonderful, memorable experience for our audience - - - AND FOR OURSELVES!!!!!

In musical solidarity,
Lee